Gill Wilson
I have been involved in papermaking for over 30 years. I have exclusively used plant fibre in my work. The material is transformed through largely traditional methods to produce a highly versatile medium which can be drawn, poured or lifted onto screens before drying. The resulting outcome can range from smooth to heavily textured, depending on the required form.
I use the medium to create complex layers which become more sculptural as they are built up. I always seek to maintain a sense of purity and simplicity reflecting natural, sustainable origin of the material.
I’m based in the UK and have undertaken work for exhibitions, architectural/interior projects in Japan, France, Spain, Belgium, Israel, UK, USA, UEA.
Gill has undertaken residencies in Japan, India and the UK
WORK | COMMISSIONS | CONTACT
About
I have worked with paper throughout my career, studying papermaking in Japan after a degree in constructed textiles. I utilise a range fiberous material including straw, flax and other locally available plants
Over 30 years I have focused my practice on the traditional techniques and contemporary practice of papermaking. I have explored and continuously re-visited the unique qualities offered by plant fibres.
The natural organic material is fundamental to my work. Fibre lends itself to a spectrum of applications, from it’s ephemeral nature to it’s ability to create heavy structures, both of which have a light touch on the planet. This ensures the work can go back to the earth incurring a minimal environmental cost.
Craft
Through years and years of working with plant fibres I have learned the fundamental human importance of the process – of growing, harvesting, preparing, cooking, rinsing and presenting. These values are universally, consistently important to human community and culture.
The final pieces bringing an organic sensibility back to the environment. My background is firmly rooted in craft practice, learning the skills of weaving and fibres I found the practice absorbing and the repetitive nature satisfying.
I have worked in galleries and applied arts for many years, always running my own practice alongside. I am inspired by architectural ideas and pieces of work explore the fine balance between fragility and durability, the works turn surface into mass, material becomes structure.
Gill has a light filled contemporary studio in the Derbyshire Peak District. The language she speaks has always looked to the apparently simple and humble materials, remaining faithful to what she feels is her own particular form of art, she has never veered from the path she knows is her own. As an artist she works with the feelings for the innate quality of paper to celebrate the purity and simplicity.
